By William Duckworth
Across the world well known composer William Duckworth covers tune basics in 14 concise major chapters supplemented via eleven enrichment appendices, delivering prolonged insurance should you hope extra guideline.
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Additional info for A Creative Approach to Music Fundamentals, 10th Edition
Here is an example of triple meter with the eighth note representing the pulse, while this is a triple meter with the half note representing the pulse. Notice, incidentally, that the meter signature is never written as a fraction: . CLASS WORK With your teacher’s help, identify the meter and indicate the note value that represents the pulse for each of the meter signatures below. Simple Meter Thus far, our discussion of meter has dealt entirely with what is called simple meter. In simple meter, the basic pulse is normally divided into two equal parts.
Although it’s probably difficult to imagine after only one chapter, practicing does become fun as we start to see improvement. If it helps, you can think of practicing as homework for the future . . your future, as a musician. As you continue through the book, I’ve tried to make practicing as productive and as varied as possible, and you will find a wealth of material to practice for each chapter. Each chapter is followed by a set of Practice Materials that will help you become more familiar with the concepts and skills covered in that chapter.
Now try some on your own. Remember to draw examples of the stems both above and below the notes. Regardless of the speed (tempo) at which a piece of music moves, the note value symbols are proportionately related to each other. Thus, if the quarter note receives one pulse, the half note will receive two pulses and the whole note four pulses. This proportionality can be illustrated in the following way: The proportionality of note values may be easier to understand if we put them into a rhythm tree.
A Creative Approach to Music Fundamentals, 10th Edition by William Duckworth